Press Release of UP Staff and Student Regents: UP Board of Regents reopens discussions on naming college after Marcos technocrat

N.B. – This is a joint press release of the Staff and Student Regents on a controversial issue at UP. Please feel free to share. Thank you.

Joint Press Release of the University of the Philippines Staff Regent and Student Regent
31 July 2013

UP Board of Regents reopens discussions on naming college after Marcos technocrat

The University of the Philippines Board of Regents (UP BOR) has decided to reopen discussions on the renaming of the UP Diliman College of Business Administration (CBA) to the Cesar EA Virata School of Business.

At its 1,289th meeting last July 29, the members of the UP BOR agreed to discuss the issue further even if the renaming was already approved last April 12.

According to UP Staff Regent Razel Ramirez, this will allow UP to revisit opinions and expand discussions. “It will also give more time to consider the necessary steps, including the establishment of guidelines in renaming colleges and schools in the university.”

Ramirez made a motion to rescind the renaming of the CBA. In her position paper, she stressed Virata’s role as prime minister during the Marcos dictatorship. This, according to her, is the main reason there is a public outcry over the BOR’s decision last April. She said that Virata supported the Marcos dictatorship until the very end.

She also questioned the claim of the UP CBA Dean that the renaming is the sole concern of the college and the BOR. She said that this sets a dangerous precedent in the university, especially in the absence of clear guidelines. “By allowing CBA to change its name in honor of its supposedly distinguished alumnus, what will prevent the other colleges from changing theirs and on what bases? If a simple change of nomenclature of an academic course requires approval of the University Council (composed of assistant professors, associate professors and full professors), what more the renaming of an academic unit?”

For her part, UP Student Regent Krista Melgarejo said that Virata’s being a loyal technocrat of Marcos is not a good role model for the youth. She said that Article 3.1.2 of the UP Naming Rights Policy approved by the BOR on August 28, 2009, clearly states that the individual “must have sterling reputation or could be looked upon as a role model of the youth.” This policy, however, does not include the renaming of academic units.

“This is yet another case where the university’s soul is being sold in exchange for funding. A clear and present danger brought upon by commercialization schemes resulting from the national government’s failure to provide greater subsidy to education,” she said.

According to Melgarejo, the petition papers signed by many students from the university, including those from the CBA, must not be disregarded. She said that the online petition has more than 500 signatures and comments.

Aside from Ramirez’s position paper and the online petition, the two regents also presented a statement from the UP Alumni Association in America, Inc. President Dr. Romulo Aquino supporting Ramirez’s arguments on the issue. They also furnished copies of the petition paper signed by 13 deans from various UP constituent universities, as well as by former and current UP officials, faculty members, staff members and students.

The BOR is the highest policy-making body of UP.

For verification and more information, please call UP Staff Regent Razel L. Ramirez (0908-591-3737) and Student Regent Krista Melgarejo (0920-645-3953).

31.7.2013

Dear Diliman Diary,

I am awakening again. =)

The Indian Navy to expand maritime interests in South and Southeast Asia, retired Indian military official says.

By Chanda Shahani

India can provide a balanced multipolarity to the increasing assertiveness of China in East and Southeast Asia, said Major General Vinod Saighal (Ret.), India's former Director General of Military Training and presently the Executive Director of Eco Monitors Society, an NGO involved in demography and ecology issues, at a forum today at the Asian Center at the University of the Philippines at Diliman.

Saigal said that India is now definitely committed to projecting further east into the South China Sea and beyond is no longer in doubt. Thus far, its maritime projection has been towards maritime activities related to trade and exploration for hydrocarbons, when it has been invited by a host country, such as Vietnam.

He said that much will depend on China's military assertion in the region  as well as the projection of the Chinese navy into the Indian Ocean to either balance or rival India's historic primacy in the Indian Ocean.

He said that if and when India does move in more meaningfully into the maritime speheres claimed exclusively by China as its core interests, the chances of tensions heightening between the two regional powers becomes a distinct possibility.

Saigal said that a greater presence by the Indian Navy beyond the Malacca Straits would be welcomed by practically all the nations of Southeast Asia as well as Japan and South Korea.

Referring to the Philippines in particular, Saigal said that the Philippines was Asia's first democracy, and that India was Asia's largest democracy. He said that both India and the Philippines, therefore were standard bearers for democracy in Asia.

In the same forum, Commodore Caesar Taccad, the Deputy Commander of the Philippine Fleet, Philippine Navy, said that countries such as China and India were already major regional maritime players, and that India's projection into the Indo-Pacific region "would heighten tensions" with China.

He said that India's roile would complement that of the United States, which has begun concentrating its military resources in the Pacific; but whose sustainability to continue operations would remain  in question.

He said that India has interests in the South China Sea, and that it was entirely possible that it would seek strategic partnerships with countries such as Australia and the Philippines.

Dr. Aileen S.P. Baviera, a professor of Chinese studies and international relations at the Asian Center, University of the Philippine and currently its officer-in-charge and former Dean whose research interests include regional security, territorial and maritime disputes, major power relations and China-Southeast Asia ties, said that there was now a trend towards "balanced multi-polarity in South East Asia."

"All countries operate under pressure from domestic considrations," she said, but said that norms such as the following of the rule of law" should prevail and that "the resort to arms buildup isndicative that diplomacy is failing."

An Open Letter to U.P. President Alfredo E. Pascual

An open letter to UP President Alfredo E. Pascual

Dear Sir:

The baybayin characters on the Sablay of our graduates read as “upa”. This would connote that the iskolars ng bayan are for HIRE upon their graduation, when they are suppose to prioritize service to the nation. Baybayan characters are not the same as our Abakada alphabet where each letter is a basic sound or phoneme, either a vowel or a consonant. In baybayin, which is a syllabic writing system, each character is already a syllable. It seems that there was no in-depth study in using baybayin characters on emblems. Somebody just thought to translate the English letters “U” and “P” to the Pilipino abakada “U” and “Pa” and then to the baybayin characters of syllables “U” and “Pa”. This was reverse engineering at its worst and without any historical basis whatsoever, most definitely not worthy of a UP scholar.

In the military, we revere symbols, especially those made with the blood of our heroes. A well-known usage of the baybayin characters is that found in the flags and emblems of the Katipunan in the 1890s, which bear the baybayin script Ka Ka Ka the acronym for Kataas-taasan, Kagalang-galang Katipunan. They DO NOT stand for the first letter “K” but for the first Syllable “Ka” of the three words. We are often confused into thinking that the symbol is the same as the letter “Ka” in our Abakada. The Abakada is an indigenized Latin alphabet of the Tagalog language, created by Lope K. Santos in 1940. During the Philippine Revolution against Spain, THERE WAS NO Pilipino alphabet then and the baybayin character “Ka” stands for the FIRST SYLLABLE of Katipunan. Therefore, to “abbreviate” words using baybayin, the character of the first syllable of the word is used.

The baybayin characters on the Sablay are the acronym for Unibersidad ng Pilipinas. The first syllable of “Unibersidad’ and the baybayin script for “U” on the Sablay is correct. The first syllable for “Pilipinas” is “pi” but in the Sablay the character there is for “pa”. A tuldik must be placed on the “pa” character to change it to “pi”.

Since 1990, when the Sablay was first used, we have been parading our graduates for the world to see, carrying the word “UPa”, a tagalog word for “Hire”. Sadly, this does not speak well of UP.

Eliseo M. Rio Jr. (UP Vanguard ’65)

On Ombudsman Conchita Carpio-Morales and former army comptroller Carlos Garcia

Ombudsman Conchita Carpio-Morales
Source: http://tinyurl.com/ckomqqd

 By Lorenzo Ed Valenciano

BAD BAD BAD............HAS SHE GONE BONKERS? OR EXPERIENCING THE ONSET OF DEMENTIA? The ombudsman, Conchita C Morales, affirms the former army comptroller, Carlos Garcia, is not deserving of a jail sentence due to procedural flaws, despite the following voluntary information the latter had offered: a) he is willing to give back 1/2 of the loot b) his wife herself admitted [in court] the corrupt practices of her husband; and c) acknowledged that he fled the country with the loot.

My simple logic along with possibly 99% of those who followed the case are wringing our heads and gnashing our teeth in disbelief, to say the least. Does this mean that the neatly-coiffed ombudsman is favoring the argument re procedural flaws over outright admission of guilt? Can somebody please explain to me in simple language why the neatly-coiffed and well dressed lady justice is thinking this way? What is the message behind this guffaw? Could it be: SIGUE LANG SIGUE LANG. MAGNAKAW ng MAGNAKAW. MAG AMIN SA BANDANG HULI. ISAULI ANG KALAHATI NG NINAKAW MO. UNG KALAHATI, I-INVEST MO SA BANGKO AT MAG INTEREST NG SOBRA SOBRA. [wag mong kalimutan ang commission ko, ha].

Former Philippine Army General Carlos Garcia

  

 

 BUT HAVING SAID THE FOREGOING, if there is a legal issue behind the well-coiffed/dressed justice's decision, I guess I will have no choice but to kowtow to that]. PS: I wish the CJ would look as presentable as Ms Morales. CJ needs a consultant. Calling the stylist friend of Kris, and ex of PNoy (her name escapes me now). The CJ needs help - your help! LOL


(Source for photo of former Philippine Army General  Carlos Garcia: http://tinyurl.com/d9yrot8)

Diliman Diary's 2013 heartthrobs (First of a series)

With summer temperatures reaching a blistering 39 degrees Celsius in the Diliman area alone; the Diliman Diary decided to look around the metropolis and find good examples of how to dress to beat the summer heat. We decided to marry fashionability with appeal, and came up with the start of a new series: Diliman Diary's 2013 hearthrobs.

Patricia Buhat: An everyday sensibility with extraordinary appeal.

Luis Hontiveros: Charisma personified. Luis is the nephew of Risa Hontiveros whos running for senator and like her is photogenic and reached out to viewers and readers beyond the camera lens.

Jaimie Barameda: Coolness on a hot summer's day. Jaimie shows how to keep one's equanimity despite soaring temperatures. with The secret? A detached good humor coupled a sexy attitude.

A Dying Way of Life

By Anatoly P. Agapito

Photos by Jai Murcillo

The bus sped past the seemingly unending line of houses fronting the vast expanse rice fields that extended to the horizon. He couldn't see where these fields ended and where the foothills of the Sierra Madre mountains began but the warm air from the fields gave him a nostalgic feeling. It is for this reason that he chose to ride in an ordinary bus going home just to feel this air - the warm air that reminded him so much of home - the home that exists only in memory for everything has changed. Slowly albeit so surely... nothing has stayed the same.

The houses the lined the highway were denser now. Here and there there were the unmistakeable marks of "progress." What once were green ricefields were now houses.. if not rice mills.. if not feeds factories. Everywhere... everything reminded him that "coming home" can never be coming home to what it once was before. "Sentiments of an old fool" he said to himself.

His eyes fell upon the carabaos that hauled the heavy rice harvested from the rice fields. They still used the Maharlika highway to haul their loads but they too have changed. What was once wooden carts made from "kawayan" were now intricate contraptions of wood, rubber, some parts metal, and the innovation of adding wheels. "At least that made it a lot easier for the lowly carabao" he murmured to himself.

"Still," he said to himself, "this is a dying way of life." It was undeniable. He sees it. The wheels of progress are moving too fast for the farmer and the beast of the fields to catch up. Along the same highway rice fields were being converted to subdivisions in anticipation of man's growing need for shelter. Somewhere along the superhighway where his bus exited was huge coloseum being erected for cockfighting complete with parking space and lights. He asked himself "As our populations grow... as we convert these vast lands to commercial and residential spaces do we not decrease the amount of palay that we can harvest for food? If then, what will feed the Filipinos of tomorrow? As we choose the concrete parking spaces of tommorrow.. without really having guarrantees if our means of livelihood can one day afford a car or even the food we're going to eat as food prices are set to rise as supplies ran out, are we not starving ourselves later? Have we not read the signs of progress wrongly? Has everyone so hastily jumped into the bandwagon of commerce without regard to what the future may hold?

His heart ached. The wheels of progress are opressing the way of life that he grew up with. The glitter and glamour of the shining lights... the false promise of comfort of city life... were all enticing farmers away from farming. And the lack of certainty of a life firmly planted on the soil had robbed them of their sons and daughters who fled the provinces to take their chances in the city. He can't blame them. Everyone deserves a chance to progress. Everyone except the farmer and the carabao who are forever cursed to serve the land they were born to and they were fated to die under. That way of life is dying. Everyone now thinks that if you are a farmer... then you are poor. You cannot afford the comforts of life. You wouldn't have enough money to send your children to school.. buy their books... even provide for their everyday allowance. Much less let them set their foot in college. This way of life is dying.. he said to himself and he wept bitterly.

And the more bitter part of it is it didn't have to be that way. If only industries would give due importance to the agriculture that feeds them. If only they would recognize that the Filipinos that drove the wheels of industry are being fed by rice fields that they so blindly destroy to profit. But no one would want to see it. The promise of large sums of return is too attractive to stay in agriculture. A farmer who once had 3 hectares of land would rather sell this land to the developer.. who would invest on average investments in gravel to cover it up and concrete to erect townhouses. It is not an easy task and looking for money to fund such a transition also has its commensurate amount of difficulty. But there are more of those who have that kind of money and are more willing to spend on this than those who would stay in farming. In a few years these units would be priced 1.3 Million a piece - a "better" valued investment.

One day when even with the amount of investment we've accumulated we can't afford to put food on the table would we realize that this is the "fork" in road - when we could have made a difference but we did not. When we could have avoided widespread starvation and we did not. It is the simple mathematics of supply and demand really. The more lands we convert to residential and commercial areas the less we have for agriculture. The less land for agriculture, the less rice we harvest. The less rice we harvest the less supply of rice in the market. The less supply the more demand. The more demand the higher the price. And for those who have barely enough to supply for three meals a day. What will happen if the price of rice would increase by 20 pesos more. 5 years ago we still could afford to buy rice for 21 pesos per kilo. Now it has risen to 34 pesos. And no one seems to care or notice. And as population increases the demand only grows. That is a factor of millions his mind could calculate. He wept. "What will happen to my children?" Suddenly he found himself not weeping for the past but weeping for the future? If we do not stop this now... what will happen then?

Pasang Awa

(Source: http://tinyurl.com/atgpx6y)

By Lorenzo Ed Valenciano

PASANG AWA ( as in the last bar exams): is this not one of the greatest reasons/obstacles why the PH, our dear PH, is finding it rather difficult to earn a decent place under the sun? AWA is treated in our parts as a commandment from God that should be extended to all without qualification as to reason or logic. This predominantly Catholic country of ours which we love so dearly, has succeeded, over the years, to twist, give a new meaning to, and culturalize [if there is such a word] it. Unfortunately, our distorted interpretation of AWA is proving/has proven that it does not do us good: we make ourselves non-competitive in a highly competitive world. We must stop the abuse of the word AWA because if we do not, we are pulling ourselves deeper and deeper into the pit of the non-entities. If you think on the word longer and internalize it you might get the sense that it really deters growth..........our propensity to accommodate is so ill-placed, many times we get into trouble being that way. Did you notice how reluctant the attorney who, on TV, tried to explain why the passing mark of the last bar had to be lowered, because he himself could not agree with the decision of the SC to compromise, and allowed a lower passing grade? What is worse, the person said, the compromise was done in deference to the coming holy week. Ngek!

U.P. Manila Dramatista presents We Tell the Story: A Musical

This March, let UP Manila Dramatista tell you a story of two different worlds that were never meant to meet, and in the end conquered fate with love, hope and faith. It will also take you to a journey of unity and harmony within different races and societal status.

For ticket inquiries and reservations contact Janel Mamorno at 09357425860.

The show will run from March 15 until March 23 at the CAS Little Theater, UP Manila.

Like the pages,
http://facebook.com/WeTellTheStoryDRAMATISTA
http://facebook.com/UPMDramatista

Follow this on Twitter,
http://twitter.com/UPMDramatista

Ladies of the UP Corps, to unite alumnae group on March 16, 2013, International Women’s Month

Senator Miriam Defensor-Santiago as head of the
UP ROTC Corps of Sponsors in the late ’60s.

Corps Sponsor ’97 Joyce Marie Rose Cuaycong during the

traditional Presentation of Sponsors at the UP Sunken Garden, 

on board the “white carabao” while trooping the line of cadets.

UP Diliman, QC -  “We are calling on our co-alumnae to join us in addressing contemporary challenges of the ROTC and the UP Corps of Sponsors, as well as relive our distinct culture of relevant and altruistic service,” the UPCOS Alumnae Assembly Organizing Group proposes.

The UP Corps of Sponsors alumnae will conduct their initial lunch workshop at the Bahay ng Alumni on March 16, 2013 from 11am to 3pm.  Ladies who served as mediators between the cadets and cadet officers of their battalions in the ROTC during their college years, from all over the UP System shall meet to relive their glorious years in the Corps, relish friendships, and discuss the organizations’ contemporary social relevance. 

The UP Corps of Sponsors is the socio-civic arm of the UP Department of Military Science and Tactics. It is an organization known to select the beautiful and bright young women leaders in the University of the Philippines, and offers a distinct paramilitary training for its members preparing them to be graceful and empowered women leaders under its shibboleths of Honor, Excellence, and Service. 

Among its notable alumnae are Senator Miriam Defensor-Santiago, Prof. Solita ‘Winnie’ Monsod, Ombudsman Conchita Carpio-Morales, Commission on Human Rights Commissioner Coco Quisumbing, Philippine Information Agency NCR Director Riza Baldoria, and former Congresswoman Lorna Verano, who will be keynote speaker during the event.

The corps ladies will also grace the Parade and Review of troops at the UP Sunken Garden organized by the UP Vanguard Inc. The parade and review shall be in celebration of UPROTC’s 52nd anniversary.  No less than the Philippines Vice President Honorable Jejomar Binay shall grace the said event. 

The workshop will be facilitated by Dominique Monera-Tabora, another distinguished alumna from UP Baguio and the current World Vision Asia-Pacific Communications Specialist.  Discussions will cover the formalization of the organization’s objectives and next steps. 

Former UPCOS members can reach the Organizing Committee of the UP Corps of Sponsors Alumnae Assembly through email at upcosalumnae@gmail.com or access their facebook page: http://www.facebook.com/UPCOS for related information and updates.

Hungry for hummus

(Source: http://tinyurl.com/bjwuyvb)

By AS Bonifacio

Whenever I have a craving for Middle Eastern food beyond shawarma, I hie off to Kazam in Maginhawa Street in Diliman. My previous go-to haven, Al-Fakr, had long been gone from this foodie stretch, so I was happy to find another similar restaurant likewise serving falafel. This dish is popular that even in Al-Fakr back then, it was hard to come by. I’ve been twice to Kazam where they ran out of falafel, which is simply fried chickpeas (garbanzos). Fortunately, as a healthy alternative, Kazam has rather decent hummus, the non-fried version of falafel, basically, just mashed garbanzos with olive oil etc. thrown in.

I have always been disappointed with the hummus served in Metro Manila restaurants, even at the expensive Cyma, which otherwise has delicious offerings. The best hummus I’ve tasted was homemade, and I was even taught how to make it, but it takes a lot of effort. First you boil the garbanzos, and then you mash them in a blender. Well, they can be mashed by hand too. I’ve tried precooked hummus, sold in dried, powdered form, and it was plain yucky.

Thus I was happy to find Kazam set up space sometime in 2012 at the Sikatuna Village side of Maginhawa Street, no. 162, although they were rudely interrupted by street diggings that required closing down for weeks. Finally late last year, they were back, with their sidewalk trimmed down and now sharing a nice balcony space with their neighboring foodspots. Kazam not only offers hummus but other Middle Eastern delights, particularly Persian food, such as keema (ground beef) and kebabs. I especially love their chelo kebabs, grilled meats with a generous serving of buttered rice, grilled tomatoes and onions. They have a protein-rich chelo combination of tenderloin with either beef or chicken. No pork at all.

Their motabal (mashed eggplant) is a bit too salty for me.  The hummus, however, puts the expensive Middle Eastern restaurants to shame, and the added olive oil is not at all stingy. Sometimes I go there just for the hummus alone, with one order needing two orders of pita bread. They have a shawarma variant with falafel and hummus, which I find too rich, carb-wise, but it’s actually a good deal for the price. Last I went, Kazam had a promo of unli shawarma from noon to 3 p.m. daily, but it’s a shame, since I’m not impressed with their beef version.

U.P. Board of Regents denies Posadas extension

Source: Technology Management Center

Statement of former College of Science Dean Roger Posadas:


To all my fellow faculty members, my students, UP alumni here and abroad, old and new friends, and all others who supported me in my appeal to the UP Board of Regents (BOR) for the extension of my full-time faculty appointment, I am very sad to inform you that the BOR today (February 28, 2013 - ed) denied my appeal with finality and decided to downgrade my faculty status to Professorial Lecturer, a part-time faculty position with a salary that is about 50% of my last full-time salary. This setback for me and other professors who are older than 65 (Jun Cruz Reyes, Naida Rivera, Daisy Carlota, Claro Llaguno, et al.) is a triumph for UP President Pascual's, UP Diliman Chancellor Saloma's, and the All UP Workers Union's new policy of regarding senior professors as unwanted costs and unneeded old fogeys that have to be discarded.

The principal thrust of the incumbent UP administration is not to achieve world-class academic excellence nor to produce UP graduates that embody expertise coupled with virtues but rather to achieve operational excellence by reducing faculty costs and computerizing UP operations. I am very sad not so much for myself -- because my family and I will find ways of surviving somehow -- but for the future of our UP beloved which is now going to the dogs and becoming UP benighted as we keep losing our excellent faculty members to other local universities and to other countries.

I wish to thank all of you sincerely from the bottom of my heart, especially those who have not met me in person, for all your expressions of support and for signing the petitions to the BOR. I am also very grateful to all those who extended their support, comfort, and love to my son, Gregor Ethan. We may have lost this particular battle, but we have won many new genuine friends. My family and I will never forget your help and support. Maraming salamat. Tuloy ang laban. Ipaglaban ang UP.

Retiring in the Philippines with a Special Resident Retiree's Visa (SRRV)

“Smile at Life in the Philippines.” This is our invitation to our former Filipino citizens and foreign nationals to choose the Philippines as their second home. Famous for our vibrant culture, hospitality, friendly English-speaking population, natural attractions, and tropical climate, retirees can expect the good life in the Philippines at an affordable cost.

GEOGRAPHY
The Philippines is an archipelagic nation made up of 7,107 islands spanning 1,840 kilometers north to south. It is part of the Southeast Asian region, and is bordered by Taiwan to the north, Indonesia and Malaysian Borneo to the south, the South China Sea to the west, and the Pacific Ocean to the east. The Three main Philippine Island groups are Luzon, Visayas, Mindanao. The Capital is Manila. Time Zone is GMT +8 hours.

CLIMATE
Generally, Philippines has a tropical climate. March to May is hot and dry. June to October is rainy, November to February is cool. Average temperatures: 78F/25C to 90F/32C; humidity is 77%.

LANGUAGE
Understanding each other will not be a problem between the retirees and our people. Almost every Filipino can understand and speak some English. In fact, we are the third largest English-speaking nation in terms of population.

Two official languages are Filipino and English. Filipino which is based on Tagalog is the national language. English is widely used and is the medium of instruction in higher education. Eight (8) major dialects spoken by majority of the Filipinos: Tagalog; Cebuano; Ilocano; Hiligaynon or Ilonggo, Bicol, Waray, Pampango, and Pangasinense.

RELIGIONS
Some 83% of Filipinos are Catholic. About 5% are Muslim. The rest are made up of smaller Christian denominations and Buddhist.

COST OF LIVING
The principal appeal for retirement in the Philippines is the lower cost of living. Housing, food, and labor costs are quite reasonable. Global Filipinos and foreign retirees can retire in the Philippines and enjoy not only the lower cost of living but also the very favorable currency exchange rate.

The Philippines’ monetary unit is the Peso. Foreign currency may be exchanged at any hotels, most large department stores, banks and authorized money changing shops accredited by the Central bank of the Philippines. International credit cards such as Visa, Diners Club, Bank Americard, Master Card, and American Express are accepted in major establishments.

WORLD-CLASS MEDICAL AND HEALTH SERVICES
In terms of medical services, our facilities are comparable to the best anywhere else. Our highly trained medical personnel and caregivers are in demand all over the world not only for their competence and expertise but most especially for the care and compassion they show to their wards. Healthcare, a top priority of the senior market, is an expertise of the Filipino who is world-renowned for his excellent healthcare practitioners.

FILIPINO HOSPITALITY
Filipinos are naturally warm, friendly and hospitable. We have a ready smile for everybody and our religious background that is predominantly Catholic makes service to others an innate trait.

TELECOMMUNICATION EDGE
Every retiree can avail of the country’s continuously improving telecommunication facilities. They can keep abreast of what is happening around the world and keep in touch with their relatives and friends back home.

ECO-TOURISM DESTINATION
Philippines can provide the retirees endless choices of world-class destinations that will bring them closer to Mother Nature with clean air and beautiful sceneries. The white sand beaches of Boracay and Panglao and the virgin islands of Palawan often referred to as “the last frontier” are truly unforgettable places that entice the visitors to come back in the Philippines.

To learn how to avail of the Department of Tourism's Special Resident Retiree's Visa program, read the rest here: http://www.internationalmedicalvacations.com/2013/02/retire-in-philippines-with-special.html

Eng Ho bakery goes beyond Binondo, Banawe

(Source: http://blauearth.com/2010/11/06/eng-hos-classic-cakes/)

By AS Bonifacio

There's a new-old kid in the block, for foodies who love baked goodies and Chinese delicacies.  Eng Ho  gone beyond Chinatown  and its Banawe  branch, setting up space some months ago on Magiting Street,  near  CP Garcia Avenue and UP campus. This might be due to the ever-growing Korean presence in the neighborhood.

I came upon this happy and delicious find one afternoon after strolling from CHED   (corner University and CP Garcia), heading for Teachers' Village.  I turned right at the intersection near the stud farm. I hadn't been in the area since October last year, and as I turned to Magiting going toward Maginhawa Street, I was amazed to see new foodie spots to my right. Impulsively I went into the first one, looking forward to a refreshing snack.

I immediately saw a huge mocha chiffon cake, no icing, wrapped in plastic and encased in a box, with smaller versions nearby, all displayed on the middle shelf. There were also vanilla chiffon cakes, mocha rolls, butter cupcakes, muffins of various flavors, and boxes of tikoy.  On the top were loaf breads, carrot bread, and cheese rolls.  Beside the cashier stood an upright cake display fridge, showing fancy cakes with icing, and brazo de Mercedes. They accept advance orders for specially designed cakes for birthdays etc. The store itself has no actual bakery in the premises, just a few tables and chairs for dine-in snacking, but they have regular deliveries.

On the other wall were more shelves with more baked goodies such as pandesal with fillings such as tuna, corned beef and asado, not bad for 15 pesos each, student-friendly prices. The asado and bola-bola siopao were available not just steamed and ready-to-eat (P35 each), but also in take-home plastic bags for freezing and steaming later. There were lots of other Chinese goodies, assuring signs that a Binondo landmark was finally in Diliman.

I haven't tried all their offerings, but I have enjoyed, and will continue to do so, their mocha cake and filled pandesal. The mocha cake is yummy even without icing, a boon for those watching their calories and cholesterol. The same goes for their butter bread, soft sweet rolls that can be eaten on their own. The puto pao didn't have much asado inside, but the siopao and asado rolls were decent. The hopia mongo was OK, but not a match for Ho-land's version, still the best.

U.P. Diliman opens New Acquisitions exhibit on February 7, 2013.

The University of the Philippines Diliman, in commemoration of the UP Diliman Month and in celebration of the National Arts Month this February, proudly presents New Acquisitions, an exhibition presenting for the first time new works endowed by artists and friends to the University Art Collection (UAC).

The exhiibit opens Thursday, February 7, at 6 in the evening at the Bulwagan ng Dangal, the University Heritage Museum. Prof. Ruben D.F. Defeo curates the exhibit.

National Artists Napoleon V. Abueva and Abdulmari Asia Imao lead the artists who generously donated their works to the University Art Collectioon. The Joya family gave one work and Senator Edgardo J. Angara donated a sculptural bust done by Imao.

Forty nine artists complete the list, namely: Leo Antonio Abaya, Augusto Albor, Nunelucio Alvarado, Marcel Antonio, Jerusalino Araos, Armand Bacaltos, Pablo Baen-Santos, Grandier Bella, Jeho Bitancor, Benjamin Cabangis, Imelda Cajipe-Endaya, Tomás Javier Calvillo Unna, Norberto Carating, Reynaldo Concepción, Daniel Coquilla, Araceli Dans, Denes Dasco, Dulce Dee, Anton Del Castillo, Norman Dreo, Jes Evangelista, Dakila Fernando, Ofelia Gelvezon-Tequi, Juan Sajid Imao, Toym Imao, Pete Jimenez, Junyee, Lenore RS Lim, Alfredo Liongoren, Julie Lluch, Jesus RW Lozada, Dennis Montera, John Olivares, Mario Parial, Mikel Parial, Gregory Pototsky, Alfredo Roces, Jonahmar Salvosa, Rodolfo Samonte, Jerson Samson, Julius Samson, Popo San Pascual, John Santos, José Danilo Silvestre, Soler, Nestor O. Vinluan, Edwin Wilwayco and Janice Young.

The idea of beefing up the UAC was a brainchild of Professor Defeo who posted in April 2012 on Facebook a clarion call to his artist friends to endow the University Art Collection with landmark works the artists themselves would select. The response was overwhelming.

The works now belong to the University Art Collection. Big or small, they reflect the diverse persuasions of the artistsócelebrating the nobility of the human figure in their constant search for beauty, justice and truth, configuring and distilling from natural forms and occurrences emblems, signs and symbols to concretize imaging as well as other imaginings, or elevating even the most banal to provide fitting platforms for art's often incisive and revelatory commentaries.

The French philosopher and art critic Denis Diderot states: "Happiest are the people who give most happiness to others." This statement is most true and palpable in this exhibition. All the artists included in this collection have generously given more than a fair share of what they do best: their art. In turn, the University of the Philippines proudly presents their works in an exhibition of this scale, affording the artists the opportunity to genuinely share their artistic gifts and ideas with the viewing public at large. They at once become "portraits of philanthropy" as consummate idea whisperer Valaida Fullwood calls them.

In bequeathing to the University of the Philippines works they themselves selected to mark individual milestones in their artistic and professional careers, they have made the institution academically richer in terms of the vivacity of spirit the works construe, the vitality of sensibilities they confront and the vibrancy of styles they celebrate.

Art as donation, performed by the artists themselves and especially endowed to an institution like a university teaching museum, constitutes the highest form of altruism. For indeed, the best way to find oneself, to paraphrase Mahatma Gandhi, is to lose oneself "in the service of others." The very act of donation is a compelling reflection of the artistsí magnanimity to commit their works to deepen and embolden the academic mission of the University as a cultural and heritage repository. That, to say the least, is most rewarding for the institution.

Many of these artists are alumni of this University, who endearingly call UP Naming Mahal their Alma Mater. A few had taught or still continue to teach in the College of Fine Arts. Their coming back to the institution that shaped them to become the celebrated artists they now are is but an endearing gesture and succinct recognition of gratitude. They therefore flesh out what Albert Einstein once pointed out: "It is every man's obligation to put back into the world at least the equivalent of what he takes out of it."

Works that accrue to a museum collection may be assured of exhibition or "display" possibilities at one point in time, one way or the other, notwithstanding the problematic limited space that beleaguers most museums in the world today. The assurance may somehow satisfy the artists' native craving for exposure, secure in the knowledge that several hundreds of pairs of eyes shall behold their works to give them lasting artistic value.

But more than that, these same works may reference landmarks of thoughts and processes that scholars and academics may point out vis-a-vis specific contexts in the intersticing dialogue of art, life and mind.

With these new acquisitions endowed to the University Art Collection, the University of the Philippines Diliman stands proud to carry on its eminent role as an art patron, with all its attendant privileges, if not awesome responsibilities.

The oil magnate and himself a philanthropist John D. Rockefeller Jr. believes "that every right implies a responsibility; every opportunity an obligation; every possession a duty."

The University can do no less to permanently preserve all donations in its collection. Aesthetic standards may change over time. Museum caretakers may come and go. Curatorial management of collections may vary. But the University of the Philippines Diliman stands pat to dispatch its role as steward and custodian of the works entrusted her, not to cite the awesome material value they collectively carry. The University commits itself to provide and jostle the aesthetic pleasure of the viewing public, and which the works inherently possess, and thereby ensure that these works are constantly viewed, reviewed and re-reviewed in systematic exhibitions and scholarly discourses to address the changing polemics of Philippine Art History.